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Maria Woodford

Deep roots. A restless voice. Reverence without rigidity.

Maria Woodford has never been interested in staying politely inside a genre, or, for that matter, doing anything the way it has always been done.

Her relationship with the late ’90s/early 00s anti-folk scene, nearly a decade on the road with Alex Radus as the acoustic duo Duende, and years spent studying traditional American music have all shaped a musical language rooted in the grit of blues, the storytelling of folk, and her love of the freedom and interplay of jazz. Woodford honors the traditions that shaped the music she plays—but reverence has never meant rigidity. She knows where the lines are. She just doesn’t see much reason to stay inside them.

That same freedom carries into her live performances. Woodford is an instinctive interpreter, surrounding herself with musicians who listen, improvise, and respond in the moment. Songs are given room to breathe and change, making the exchange between voice, players, and audience as important as what is written on the page.

Woodford’s songwriting has received recognition from the John Lennon Songwriting Contest, and she and her blues band reached the semifinals of the International Blues Challenge in Memphis, TN. Life with Duende grew out of the slightly unreasonable idea that a big voice and a guitar were reason enough to leave conventional life behind. Their story, which included the pair busking for tips while standing shin-deep in snow, earned them the Jim Beam Grant for Independent Music.

Woodford’s gift for interpretation also led to one of the more unusual distinctions of her career: she was the first, and remains one of only two artists, granted permission to record Nina Simone’s “Do I Move You.” The mechanical rights were personally approved by Simone’s daughter based on Woodford’s interpretation and its faithfulness to the meaning of the original.

After decades of writing, performing, and teaching—with some years spent away from the stage to raise her children—Woodford returned to full-time music in 2024 with a different relationship to the work and why she does it. There’s deep history in the music now, but there’s a deeper mission. 

Raw and unruly in one moment, an intimate whisper in the next. The voice is big. The music is restless. And the point, as ever, is to make something real happen in the room.

hear maria

Bad Dog Blues

Maria Woodford

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A gritty, soul-stirring tribute to blues in its rawest form, Bad Dog Blues is Maria Woodford’s unapologetically powerful 2012 album. Rooted in raw emotion and steeped in tradition, the album blends sultry vocals with Read more

A gritty, soul-stirring tribute to blues in its rawest form, Bad Dog Blues is Maria Woodford’s unapologetically powerful 2012 album. Rooted in raw emotion and steeped in tradition, the album blends sultry vocals with fierce vulnerability, honoring the heart of blues while creating a space all her own in a genre that embodies the art of transmuting pain into passion.

At the center of the record is the unforgettable title track, “Bad Dog Blues,” featuring Phil Wiggins, National Heritage Fellow and one of the most celebrated blues harmonica players of our time. Phil’s driving, soulful playing adds a depth and authenticity that elevates the track—and the entire album—into blues history.

But Bad Dog Blues doesn’t stop there.

Among its 11 tracks is Maria’s stirring rendition of Nina Simone’s “Do I Move You?”—a cover so deeply felt that it caught the attention of Nina Simone’s daughter. After hearing Maria’s take, she granted her the rights to release it, saying:

“You understand this song the way my mother meant it to be understood.”

Maria was the first of only two artists ever permitted to cover "Do I Move You" formally.

Bad Dog Blues is a love letter to authenticity, to pain transmuted through art, to grit with grace. It’s where lust meets loneliness, where memory meets movement, and where every track begs the question:

“Do I move you?”

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info@mariawoodford.com